CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
NUBE
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CONTEXT: Located in one of the nerve points of the city of Córdoba, Argentina and next to a great flow of circulations the new bus terminal has left without use its ex car parking.
The project of Nube is born of this analysis seeking to take advantage and to RECYCLE this public space, to generate a meeting between the citizens and the travelers.
QUILPO
QUILPO
QUILPO
QUILPO
QUILPO
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
Nicolás Olmos
DESIGN
Nicolás Olmos
ARCHITECTURE
The progress of this project can be quantified in two phases, where the same digital technologies are researched and developed, meanwhile the raw material changes, due to manipulation approaches and impact on health issues:
Phase 1: PVC recycling approach
Phase 2: Leather used for emphasis on demonstrating how these new digital tools are shifting the contemporary practices of fashion design.
The shift in raw material is clearly and correctly justified, as manipulation of PVC causes health and sustainability issues, in small workshops and it would need a very complex infrastructure to be implemented for the development of one project.
The Project introduces innovation using new technologies, in a traditional sector such as the Leather one. The combination of artisan work with the digital technologies employed in this project: 3D modeling, CNC milling, moulding and vacuum forming offer a wide range of possibilites for new designs.
The main focus of the new collection design was on organic shapes, bubbles, and several garments and accessories were developed: 2 belts, 1 bag, 1 coat, 2 shoulder pieces and 1 sleeve.
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CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
This series is inspired by the mathematics found in nature, exploring the freedom of its compositions and trying to capture the movements generated in it. Through the molding of leather, biodegradable material, combines traditional techniques, increasingly neglected with contemporary technology and digital fabrication to give birth to this collection of leather bags.
3DPRINTER
FORESTS ENTAGLEMENTS
What is a forest? By definition, it is an ecosystem of trees and shrubs. Communities of plants and trees that cover vast areas of the Earth and that are habitats for all sorts of beings including animals and humans, modulators of hydrological flows and soil conservation, constituting one of the most relevant aspects of the biosphere of the globe. But perhaps the relevant question is not "what" is a forest, but "how" is a forest, that is, what makes it possible and, in turn, what is made possible by them? Forests can be found in all regions capable of supporting tree growth except where natural fire rates are too high, or where the environment has been damaged by natural processes or specially human activities. A forest, then, is only possible as a whole, always among many, it is defined by its collectivity, or as a distribution system of organized beings to be able to live among several. And possibly also lots, flocks of humans and non-humans that survive thanks to the biosphere they care for. So "who are you" is not a question but a political operation. I am nothing more than a bunch and nothing less than a flock. It was always you? “How” and no longer “what”. Perhaps there is a whole unknown grammar-forest. A geographical becoming of entangled ontologies, we are only in symbiosis, in heaps, sets and groups. There is only possible life in the middle of an association or better yet, in an association of associations, a relationship or beyond, a relationship of relationships. Grouping, community, collectivity, mass, crowd, gang, flock, mob, rhizome, swarm. On the other hand, quantum entanglement is a phenomenon in which a set of particles can no longer be defined individually, but only as a system with a single wave function, i.e. the states of two or more objects must be described by a state unique that involves all the objects in the system, even when the objects are spatially separated. Light, according to physics, has an indefinite ontology, since it behaves sometimes as a wave and sometimes as a particle. It is not that he is one and/or the other, nor that he is both simultaneously, but that his way of being in the world is (im)possible.Not both, not all, not in between, not simultaneously. Entangled in itself, an indefinite existence. Our planet has already lost a third of its forests in the last 100,000 years, half of them since 1900. What are the (im)possible worlds where we can live a more livable life for plural and diverse human and non-human beings?The aim of this installation is to bring the energy of the woods of Cataluña and entangle them with the Swiss environment. For this we used sensors that measured the electromagnetic variations emitted by the Catalan trees and we translated them into light. We wanted to make a statement and collaborate with the forests, enabling them as the designers of the installation and not just mere passive actors. The forests in these installations are the protagonists, the artists and the ones that are making real life decisions about what kind of experience we are going to have.
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