CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
NUBE
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CONTEXT: Located in one of the nerve points of the city of Córdoba, Argentina and next to a great flow of circulations the new bus terminal has left without use its ex car parking.
The project of Nube is born of this analysis seeking to take advantage and to RECYCLE this public space, to generate a meeting between the citizens and the travelers.
QUILPO
QUILPO
QUILPO
QUILPO
QUILPO
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
CERAMIC 3D PRINTER
Nicolás Olmos
DESIGN
Nicolás Olmos
ARCHITECTURE
The progress of this project can be quantified in two phases, where the same digital technologies are researched and developed, meanwhile the raw material changes, due to manipulation approaches and impact on health issues:
Phase 1: PVC recycling approach
Phase 2: Leather used for emphasis on demonstrating how these new digital tools are shifting the contemporary practices of fashion design.
The shift in raw material is clearly and correctly justified, as manipulation of PVC causes health and sustainability issues, in small workshops and it would need a very complex infrastructure to be implemented for the development of one project.
The Project introduces innovation using new technologies, in a traditional sector such as the Leather one. The combination of artisan work with the digital technologies employed in this project: 3D modeling, CNC milling, moulding and vacuum forming offer a wide range of possibilites for new designs.
The main focus of the new collection design was on organic shapes, bubbles, and several garments and accessories were developed: 2 belts, 1 bag, 1 coat, 2 shoulder pieces and 1 sleeve.
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CERAMIC 3D PRINTER
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CERAMIC 3D PRINTER
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This series is inspired by the mathematics found in nature, exploring the freedom of its compositions and trying to capture the movements generated in it. Through the molding of leather, biodegradable material, combines traditional techniques, increasingly neglected with contemporary technology and digital fabrication to give birth to this collection of leather bags.
3DPRINTER
ART SCHOOL IN OPORTO
The new Art School is projected in the Ribeira, the oldest district of Oporto, understanding the conditions and potentials of its history. The fact of being located in a public square, in front of the old building of the Portuguese Center of Photography (C.P. F) and on a large avenue with green spaces are not minor details.
Design: Nicolás Olmos and Cristian Falcon

VISTA SUPERIOR DEL CONJUNTO
In a first instance in relation to the environment, it was intended to maintain the spatial amplitude granted by the adjoining parks but providing a more human scale and with new activities to the square. Contributing with a new public space for the whole city that allows greater relationship and dialogue between the school and the C.P.F.
The school should not interrupt the connections with the external environment so it is divided into two blocks separated by a footbridge in the plant 0.00 and maintains a maximum height of 5.60 mts, being the rest of the building buried. Its location in parallel to the C.P.F on one of the ends of the square allows a more contained space and a decrease in the noise pollution of the Rua Campo dos martyres da Pátria because it closes almost without openings on that façade.







RELACIÓN EDIFICIO-PLAZA

With respect to C.P. F it was decided not to enter into competition and putting it in value, understanding as the main actor. By means of voids and a tilt and large opening in its south facade (climatically favorable) generates a visual dialogue between reflections.
In relation to the school, it has a sector with greater relation to the public where the exhibition salon is located with the opportunity to extend it to the outside; while the sector with the workshops only has a visual connection with the square to give greater tranquility and concentration. The vertical core of circulations with its large voids allows for increased light influx and circulation of air to the lower plants.
The shape of the building was worked as a sculpture in a stereotomic way that together with the materiality of the building (concrete covered with stone tiles) allow an assimilation with the heaviness of the materials of the surroundings.

VISTA DESDE AVENIDA CAMPOS DOS MARTIRES

CORTE A-A

CORTE B-B

PLANTA 0
HALL DE INGRESO
RESTAUTANTE
SALA DE EXPOSICIONES
GREEN PARK

